Jakob Bengel earrings machine age drop pendants galalith (ABP)Jakob Bengel earrings machine age drop pendants galalith (ABP)Jakob Bengel earrings machine age drop pendants galalith (ABP)Jakob Bengel earrings machine age drop pendants galalith (ABP)Jakob Bengel earrings machine age drop pendants galalith (ABP)Jakob Bengel earrings machine age drop pendants galalith (ABP)

A pair of classic Jakob Bengel drop earrings

CONDITION: good vintage condition

SIZE: 2 ins l x ½ ins w (5 x 2 cm)

APPROXIMATE DATE: 1930s

MATERIALS: Galalith, metal

DESCRIPTION:

A classic pair of drop earrings by Jakob Bengel with a pierced fitting and 2 ins pendants. The salient points in this type of design are a concentration upon craftsmanship, integrity of materials and quality of finish.

FURTHER INFORMATION:

Founded in 1873 in Idar-Oberstein by the inventive locksmith Jakob Bengel, the company first produced pocket watch chains. With great foresight they ventured into making costume jewelry in the 1930s. At this time ‘material snobbism’ was rejected by young designers, who spurned imitating ‘real’ jewelry. The new materials of Galalith and chrome were ideally suited to the severe lines of Bauhaus and Art Deco designs. Avant garde designers such as Auguste Bonaz had added Galalith to their range. They united it with chrome in unusually elegant necklaces often combined with bakelite, in designs strongly influenced in the 1920s by the ‘Wiener-Werkstätte’

Jakob Bengel combined the influence of Parisian taste and the French avant-garde jewelry designers with Bauhaus purity of form to create his own jewelry designs. This addition of ‘experimental’ jewelry in the then-avant-garde styles was greatly successful. The combination of the already versatile brass and chrome chains with different geometric elements of coloured Galalith in distinctive designs and pure forms corresponded to the taste of the modern woman of the time.

The formal severity of Jakob Bengel jewelry does adhere to the Bauhaus dictum ‘form follows function’. However contrary to the further principle that ‘decoration weakens structure; the simple designs are perfected by the clear colours and versatile material malleability of Galalith.

Most of the company's jewelry was exported to Europe and around the globe. For this reason most Bengel jewelry is unmarked except for a Germany stamp on the back. Exclusive Paris department stores included the Jakob Bengel lines in their collections, but under their own labels. The Bengel company had its own manufacturing mark but many of the pieces by his world-wide clients were unrecognised and un-credited as such from the Bengel provincial Germany company.

The use of Galalith for jewelry was prohibited in 1939 at the outset of WWII to save raw materials, and Jakob Bengel’s signature jewelry production sadly came to an end. However, production was prolific during the 1930s, with thousands of pieces stored away in the Bengel factory until the late 1970s. Many have surfaced to the vintage market in recent years, and have become some of the most sought after bakelite jewellery to wear and collect. None of Jakob Bengel’s jewellery were signed, and the authenticity is often questioned; especially now, as new pieces are being produced with Bengel’s original tools and machinery. These modern pieces are, however, produced with certification and distinctive markings.


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ITEM ID
DUP19-09-96
ITEM SIZE
2 ins l x ½ ins w (5 x 2 cm)
STYLE
Art Deco
ITEM TYPE
Vintage
COLOR
White
MATERIAL
Plastic, Early Plastics

Jakob Bengel earrings machine age drop pendants galalith (ABP)

$100

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