TRIFARI 'Alfred Philippe' Sterling Large Ruby Cabochon Emerald and Sapphire Crown Pin and Clip Earrings Set

CROWN ME!...

The crown pins and earrings sets were TRIFARI'S most famous items and were an immediate success. One of TRIFARI'S agents stated to the 'Saturday Evening Post' in 1947 that "if we had manufactured nothing else but these crowns in the last three years, we would be still clear orders."

Iconic 1944 Alfred Philippe for TRIFARI gold-plated base metal large royal crown pin and clip earrings set. The crown features two large oval ruby red and emerald green cabochons with sapphire blue, emerald green, ruby red and clear baguette and chaton rhinestone accents.

The earrings emulate the theme.

The pin measures 1 7/8" by 1 7/8"H/L. The earrings measure 1"L by 1/2"W.

Marked TRIFARI with Crown, STERLING and PAT. NO. 137542. The clip earrings are TRIFARI and STERLING.

Very good vintage condition with age appropriate wear. Beautiful on!!!

Book reference can be found on page 136 of Brunialti's 'American Costume Jewelry, Art & Industry, 1935-1950, Volume 2. Featured in numerous costume jewelry books. Advertised in 1945 in 'Women's Wear Daily'.

Gustavo Trifari emigrated from Italy to the U.S. in 1904 and founded Trifari, NYC in 1910 after being a partner and jewelry designer with his uncle in Trifari & Trifari for several years. Gustavo's grandfather Luigi Trifari, a goldsmith, had a small workshop in Naples, Italy in the mid 1800s producing fine jewelry where Gustavo, working in his workshop, learned the jewelry trade. In 1917, Leo Krussman joined the Trifari Company as a sales director and later became a partner, leading to the forming of the Trifari and Krussman Company. A third partner, Carl Fishel, an experienced and well known salesman also became a partner in the firm, in the early 1920s. The company again changed its name to Trifari, Krussman & Fishel. Trifari was considered one of the largest and best known producers of costume jewelry. It started producing hair ornaments, buckles, and bar pins in silver and base metals set with rhinestones and later manufactured, a broad range of costume jewelry creating superb designs and workmanship at different price levels. The Trifari jewelry produced had a distinctive look, resembling fine jewelry, which can easily be recognized by collectors. Much of this is due to the work of a great designer, Alfred Philippe, who worked and designed jewelry for Trifari, for approximately 38 years, from 1930 to 1968, using high quality imported Swarovski rhinestones that were hand-set in the jewelry piece. Philippe worked as a designer of fine jewelry for Cartier and Van Cleef & Arpels, and brought to Trifari many imaginative ideas. He is largely responsible for the creation and development of Trifari's distinctive and classic look. There were also other well-known designers who joined Trifari: Jean Paris (1958- 1965), Andre Boeuf (1967-1979), who had worked for Cartier, and Diane Love (1971-1974) who designed the company's modern and contemporary jewelry in the early 1970s. Up until the 1960s, Trifari lead the world in the industry of costume jewelry producing the highest quality and styles from imaginative sterling vermeil figurals of the 1940's to its classic gold and silver-tone jewelry of today. The Trifari figurals, retro florals, and jelly-bellies from the 1930s and 1940s are sought after today by collectors. Mark: "TFK" 1917, "Trifari with a crown above the T" 1930s, "Trifari, Krussman, Fishel", "Trifari with a crown and copyright symbol", and "Diane". The Trifari figurals, retro florals, and jelly-bellies from the 1930's and 1940's continue to be in high demand by collectors. The Trifari Company was purchased by Hallmark in the late 1970s, Crystal Grands Jewelry Corp. 1988, Chase Capital Partners, Lattice Holding Division of the Monet Group 1994, and Liz Claiborne in July 2000 with production moved out of the U.S.The crown pins and earrings sets were TRIFARI'S most famous items and were an immediate success. One of TRIFARI'S agents stated to the 'Saturday Evening Post' in 1947 that "if we had manufactured nothing else but these crowns in the last three years, we would be still clear orders."