This is a unique looking vase produced by Bretby Art Pottery of England. It has a round bulbous gourd shaped base done in a brownish black background. Applied cream colored bodies of lizards have been placed on the base interspersed between impressed scarab designs. The long cylinder shape of the piece has a creamy brown background and has raised relief designs of trees, Asian men in a boat and houses. The upper portions is the brownish black background with impressed geometric and scarab designs. Vase is in great condition for it's age. It does however have a repair to some hairlines on the rim that can be seen upon close examination. IT IS RARE TO FIND ANTIQUE EARTHENWARE IN "LIKE NEW" CONDITION BECAUSE OF WEAR FROM USE AND AGE. TINY GLAZE FLAKES AND CRAZING IS NORMAL AND ADDS CHARACTER TO EACH PIECE.
In 1879 a skilled artist and potter, Henry Tooth, became manager of the newly established Linthorpe Pottery in Middlesbrough, North Yorkshire. It was conceived by the brilliant designer Christopher Dresser and John Harrison, owner of the Linthorpe estate, to provide local employment. In its short life this pottery produced some of the most exotic and vibrant ceramics of the 19th century. Henry Tooth was active in developing the innovative glazes used at Linthorpe, combining various metal oxides in two or more slips which gave exciting swirled and dripped effects. In 1882, Tooth left Linthorpe and sources vary as to whether that pottery closed then or some seven years later. His creativity was undimmed and found an outlet a year later and started the Bretby art pottery, with William Ault, in Woodville, Derbyshire. The enterprise had sufficient impetus to survive the departure of Ault, who set up his own pottery at Swadlincote in 1887. Initially Bretby produced similarly decorated wares to those from the Linthorpe pottery, though of lesser quality. Favorite rich monochrome glazes from the period include green, amber and sang-de-boeuf (copper-red). Departing from the more mundane, though decorative, practical wares, novelty items incorporating modeled animals and the shapes of nuts or biscuits on a plate were amongst the early products. Towards the turn of the century, a greater emphasis on modeling resulted in additions, in relief or semi-relief, of animals, birds and insects to a range of wares. Another feature of Bretby art pottery was the cunning reproduction of the appearance of materials other than ceramic. Several metal finishes, sometimes hammered, were imitated, such as bronze, copper and steel. Wood was simulated in a range dubbed Lignaware. Bamboo and ivory were also reproduced with more or less success. Oriental and Art Nouveau influences can be seen in both subject matter and styling of many Bretby pieces from the late 19th and into the early 20th century. After several changes of ownership and styles, the pottery was finally closed in the late 1990's and has suffered several break-ins to the museum and also a major fire.
Bretby products almost always* bear the impressed sunburst motif and the word `BRETBY'. From 1891 the word `ENGLAND' is added and after 1900 `MADE IN ENGLAND'. Henry Tooth's monogram (also on some Linthorpe pieces) was in use up to about 1900
Backstamp: IMPRESSED Bretby in half sun England 1372 (188.8.131.52 Iin gold possibly museum or catalog number)
Measures: 14 1/2" H x 7 1/4" W at widest to is 4 1/2" W
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