For your consideration is an early fused glass art sculpture of a mountain landscape with lake in the foreground by Melanie Rowe, one of the leading fused glass artists of our day. It is unusual to find her recent works for sale never mind her earlier pieces.
Melanie Rowe grew up in Victoria, Canada. She attended the Pilchuck Glass School in Stanwood, Washington from 1985 until 1994 as student, TA, and instructor and also trained at the Alberta College of Art, Andrighetti Glassworks, Colton Glass School, and Vancouver College of Art. She works today with her two sisters.
This sculpture measures 11.7 inches long, 6.8 inches tall, and 0.15 inches thick. Signed Melanie Rowe 94 on the back. Excellent condition.
Shipping weight is estimated at 5 pounds (due to extra packing). Insurance required. Actual shipping will be calculated upon packing when purchased. Please email me with any questions.
Leslie Rowe-Israelson and her twin sister, Melanie Rowe-Prosser spent their childhood in Victoria. For the last twenty years, the twins have lived and worked in the heart of the Canadian Rockies. The beauty of the mountains, particularly in Banff National Park and Jasper National Park, is their passion and inspiration. It was in the mountains that they discovered their other shared passion. Glass would come to consume their thoughts and dreams. Through dedication, this passion became their visual language. Part of the dedication has been training and dialogue with other glass artists. From 1985-1994, Leslie and Melanie attended the world-renowned Pilchuck Glass School in Stanwood, Washington. Both sisters say, “Pilchuck Glass School was a wonderful atmosphere to share ideas and experiences with people from around the world.” Pilchuck provided an environment where they could contribute to and learn from the triumphs and failures of top calibre glass artists. The sisters also received training from the Alberta College of Art, Andrighetti Glassworks, Colton Glass School and the Vancouver College of Art.
To express their artistic “voice”, their visual language has required the development of unusual techniques involving sand-casting, mosaic and pate de verre. Because of the time consuming nature involved in the creation of each piece, it becomes a contemplative process which both Melanie and Leslie find rewarding. As an extension of this contemplative process, Leslie often writes poems relating to the pieces that the twins are working on.
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