Color lithograph on paper, the sheet 12 3/4" by 9 3/4" (17 1/2" by 15" in attractive silvery framing), signed only in the plate and dated nearby Octobre 46, by important French 20th century woman artist MARIE LAURENCIN (1885-1956). The edition of 950 examples, now scarce, was printed by Publ. Beres, Paris, for the album "Sainte Catherine--Poemes de Paul Eluard". The image is typical of the work of this noted artist. I take from a website on the artist: "Born on October 31, 1883 in Paris, the young Marie Laurencin was sent to Sèvres by her mother in 1901, where she got familiar with porcelain painting. Her education continued at a school in Paris, followed by the Humbert academy, where Marie Laurencin got acquainted with Georges Braque. She soon met Picasso and Guillaume Apollinaire, who supported her from this time on and integrated her in discussions about art theory, which soon lead to Cubism. The artist's own creative work, however, remained untouched by such theoretical demands; it shows mainly lyrical motifs like graceful, dreamy young girls in pastel coloring and soft shading. This color-sensitive inventiveness leads to a variation of repetitions of form and motifs. The influence of Persian miniature painting and Rococo art are undeniable in Laurencin's works. In 1907 Marie Laurencin gave her debut at the "Salon des Indépendants," followed by a large exhibition at Barbazanges' in 1912 and at P. Rosenberg's in 1920. From 1924 Laurencin also worked on designing stage sets. She produced stage design for Diaghilev's "Ballets russe" and the set for the "Comédie Francaise" in 1928. She also illustrated books, such as André Gide's "La Tentative Amoureuse" and Lewis Caroll's "Alice in Wonderland." The artist's drawings and paintings are included in major 20th century painting auctions around the world, where they can bring into six figures. Her work is especially sought after in Japan. Condition: clean, printed to the edge at left (no margin there, possibly as printed). The Marchessau catalogue reference number for this work is No. 239.
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