A late twentieth century abstract work meant to hang on the wall, the extreme dimensions 31" by 35", signed (incised) at left with what appears as (copyright symbol) and then "Bidenor" or "Ridenor" or even "Richards" or similar and dated there 1988, numbered 2 of 50 in Roman numerals. The "Memphis"-looking work is made of relatively heavy pressboard panels subsequently laminated with various surfaces, some dull/matte, one glossy like simulated marble, one like brushed aluminum or stainless steel. More research should turn up the identity of the talented artist.
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