Lithograph, 14 3/4" by 12 1/4" inside the mat, 21" by 18" as simply framed, signed in the plate at lower left "Merlin" and dated nearby 1939, also numbered (I think, also, in the plate, interestingly), 14/34 at lower right. This is a scarce work by the American Scene listed artist MAURICE MERLIN (1909-1947). The artist's short life likely accounts for the lack of recognition of his work. The following information is taken from the askart site: "He was born in Sioux City, Iowa, on September 26, 1909 and drew from an early age, receiving encouragement from his parents and artists who saw his work. He completed his academic training in art at the School of the Art Institute of Chicago. He worked in water-color, in silk-screen, created paintings in egg-tempera, poster art for the WPA in Detroit, as well as lithography. The lithographs were mostly done in 1939 during which time he collaborated and worked with five other Detroit artists, Ed Jaeger, Frank Cassara, Barbara Wilson, Henri Bernstein and Walter Speck. They worked together in lithography, learning techniques from one another and helping one another in production. Other artists with whom he associated were Bill Jordan, Gilbert Roche, and Mitchell Siporin. After serving in the army during WWII, he came to California in the mid 1940's where he settled with his family.
Maurice Merlin's early death in 1947 in Los Angeles, brought an end to a promising career in the fine arts. He left a good number of lithographs, as well as paintings in egg tempera and gouache, that reflect the distress of the Depression era, many of them are images of city life, while others show dreamlike views of empty farmland, reflecting his Midwest origins, but places which were lost to a generation of displaced Americans who could not return to an agricultural way-of-life. Other images are industrial or factory scenes more characteristic of the Depression in Detroit.
Several of the lithographs were collected by Dave and Reba Williams whose collection has been given to the National Gallery of Art in Washington. A serigraph, Public Demonstration, is in a notable private collection that has been promised to the Huntington Museum in Pasadena.
Journal of the Print World, 2013. Volume 36, Number 2, April 2013, p18.
Glisson, James. "Maurice Merlin and the American Scene, 1930-1947", American Art Review, April 2013. Vol. XXV No.2. 112-113.
Elsila, David. "Detroit During the Depression: Maurice Merlin's WPA Art Captures Scenes of Hardship, Symbols of Hope", Newsletter of the Michigan Labor History Society, Spring-Summer 2013, 6-7.
Maurice Merlin and the American Scene, 1930-1947
January 19 – April 15, 2013
Huntington Art Collections, San Marino, California
Information provided by Peter Merlin, the artist's son."
The work is clean and shows only typical light oxidation of the paper. I have not examined it out of the frame.
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