Here is a great Louvre Museum Blind Stamp Engraving Reproduction of the Cathedral de Rouen by Caroline Armington for your buying consideration. Would make a great gift for a special occasion, or keep it for yourself!
This is a reproduction engraving done from a copper plate by the Louvre Museum of a Caroline Armington piece. Such pieces are called Chalcograhie Du Lovre. Noted as such at the bottom middle of the engraving. The Louvre name is also noted around the blind stamp of the women's bust at the bottom middle of the engraving below that. Not sure what year this piece was done in. The engraving is of the Cathedral de Rouen in Normandy, France. The engraving has not been examined out of the frame.
On the upper floor you will find an extensive range of jewelry, gifts, scarves, and casts of works on display in the world's greatest museums. The "Chalcographie" section (prints and engravings) sells prints issued by the Réunion des Musées Nationaux, taken from the museum's collection of original copper plates dating from the 17th century to the present day, including architectural views, landscapes, seascapes, botanical prints, portraits, religious and decorative subjects, and contemporary art. All are produced by hand on a copper plate press and bear the stamp of the "Chalcographie du Louvre."
So, this piece would have been done from the original copper plates used by the artist. Beautiful rendering of Rouen Cathedral here. There are people walking around in the plaza. Wood scaffolding up on the the left front of the cathedral.
We see no foxing or brown spotting going on within the engraving. No watermarks, tears, or repairs that we observe.
Beautiful silver and gold wood frame here. Some finish loss to the frame. Newer backing paper on the piece and the hanging wire is in place.
Nice antique white and black matting around the engraving. The glass over the engraving is intact, no cracking or blistering. Was framed and matted by Gallery 515 in Atlanta, Ga.
The Framed Engraving of Rouen Cathedral is 23.75" tall, by 20.75" across, by 1" wide. The Engraving showing thru the frame is 15.75" tall by 13" across. Let us know if you have any questions or need additional pictures. Don’t be shy to make an offer, we are always open to reasonable suggestions.
Some brief information about the artist, Caroline Armington, from our friends at Wikipedia;
From Wikipedia, the free encyclopedia
Caroline Helena Armington (1875–1939) was a Canadian born artist.
Armington worked in a number of mediums including a large body (551) of etchings. Her main practice consisted of painting and printmaking. In addition to being an artist, she also trained at Guelph General Hospital as a nurse.
Caroline Helena Wilkinson was born on September 11, 1875 in Brampton, Ontario, Canada. From 1892 to 1899 she took art studies under J. W. L. Forster. She traveled to New York in 1899, where she worked as a nurse. The following year she sailed to Europe and married Frank Armington. She moved back to Canada in 1900-01.
From 1905 to 1910, the couple returned to study in Paris at the Académie de la Grande Chaumière and Académie Julian. In 1908, Caroline's painting "Paysanne Hollandaise" was accepted at the Salon des Artistes Francais' annual exhibition, held at the Grand Palais, Paris. They assisted the American Ambulance Hospital in Paris from 1914 to 1918, with Caroline working as a nurse and Frank as an orderly. Armington's etching of Bayeux Cathedral was the May 1924 cover of Brooklyn Life magazine. According to the magazine article, collections of her etchings were in the following museums at the time: Luxembourg and Petit Palais, Paris; British Museum and South Kensington Museum, London; Bibliographic de Belgique, Brussels; Liege; New York Public Library; National Gallery, Ottawa, Canada.
"Paysanne Hollandaise (Dutch Peasant)", 1907, by Caroline H. Armington (private collection, Toronto, Canada)
Armington left Paris in 1939 and moved to New York, New York, United States. She died there on October 25, 1939.
Make sure that this item meets your needs and requirements before deciding to acquire it. The item can be returned, there is a 10% restocking fee to do so. So, please carefully review all the attached pictures, ask all the questions you have, come see in person or send a friend to see the item on your behalf, prior to deciding to acquire it.
The pictures provided both complement and supplement the listing description, so please look at them very closely as well. With old items, there is no way one can capture all the little imperfections in words, so the two media are meant to be the full description.
Some information about Rouen Cathedral from the internet;
Rouen Cathedral (French: Cathédrale primatiale Notre-Dame de l'Assomption de Rouen) is a Roman Catholic Gothic cathedral in Rouen, Normandy, France. It is the see of the Archbishop of Rouen, Primate of Normandy.
Plan of the cathedral
A church was already present at the location in the late 4th century, and eventually a cathedral was established in Rouen as in Poitiers. It was enlarged by St. Ouen in 650, and visited by Charlemagne in 769.
All the buildings perished during a Viking raid in the 9th century. The Viking leader, Rollo, founder of the Duchy of Normandy, was baptised here in 915 and buried in 932. His grandson, Richard I, further enlarged it in 950. St. Romain's tower was built in 1035. The buildings of Archbishop Robert II were consecrated in 1065. The cathedral was struck by lightning in 1110.
Construction on the current building began in the 12th century in Early Gothic style for Saint Romain's tower, front side porches and part of the nave. The cathedral was burnt in 1200. Others were built in High Gothic style for the mainworks: nave, transept, choir and first floor of the lantern tower in the 13th century; side chapels, lady chapel and side doorways in the 14th century. Some windows are still decorated with stained glass of the 13th century, famous because of a special cobalt blue colour, known as "the blue from Chartres". The north transept end commenced in 1280.
The cathedral was again struck by lightning in 1284. In 1302, the old Lady chapel was taken down and the new Lady chapel was built in 1360. The spire was blown down in 1353, choir windows were enlarged in 1430, the upper storey of the north-west tower was added in 1477, gable of the north transept built in 1478.
Some more parts were built in Late (Flamboyant) Gothic style, these include the last storey of Saint Romain's Tower (15th century), the Butter Tower, main porch of the front and the two storeys of the lantern tower (16th century). Construction of the south-west tower began in 1485 and was finished in 1507. The Butter Tower was erected in the early 16th century. Butter was banned during Lent and those who did not wish to forgo this indulgence would donate monies of six deniers Tournois from each diocesan for this permission.
The realization of the Butter Tower caused disturbances in the façade, which caused the reconstruction of the central portal and the west front, which begun in 1509 and finished in 1530. The original Gothic spire suffered a fire in 1514, nevertheless the project of a stone spire was denied and a wooden construction covered with gold-plated lead was begun in 1515, a parapet was added in 1580.
In the late 16th century the cathedral was badly damaged during the French Wars of Religion: the Calvinists damaged much of the furniture, tombs, stained-glass windows and statuary. The cathedral was again struck by lightning in 1625 and 1642, then damaged by a hurricane in 1683, the wood-work of the choir burnt in 1727 and the bell broke in 1786. In the 18th century, the state (government) nationalised the building and sold some of its furniture and statues to make money and the chapel fences were melted down to make guns to support the wars of the French Republic.
The Renaissance spire was destroyed by lightning in 1822. A new one was rebuilt in Neo-Gothic style, but of cast iron instead of wood. The cathedral was named the tallest building (the lantern tower with the cast iron spire of the 19th century) in the world (151 m) from 1876 to 1880. In the 20th century, during World War II, the cathedral was bombed in April 1944 by the British Royal Air Force. Seven bombs fell on the building, narrowly missing a key pillar of the lantern tower, but damaging much of the south aisle and destroying two rose windows. One of the bombs did not explode. A second bombing by the U.S. Army Air Force (before the Normandy Landings in June 1944) burned the oldest tower, called the North Tower or Saint-Romain Tower. During the fire the bells melted, leaving molten remains on the floor. In 1999, during Cyclone Lothar, a copper-clad wooden turret, which weighed 26 tons, broke and fell partly into the church and damaged the choir.
The cathedral has a strong musical tradition since the Middle Ages. Its choir was famous up to the French Revolution for singing from memory. The first major organist to work here was Jean Titelouze, the so-called father of the French organ school. He occupied the post of the titular organist in 1588–1633. Around 1600 in collaboration with the famous Franco-Flemish organ builder Crespin Carlier, Titelouze transformed the organ of the cathedral to one of the best instruments in France. Some 80 years later the legendary organ builder Robert Clicquot restored and enhanced the instrument; organists who played the new organ included distinguished composers such as Jacques Boyvin (in 1674–1706), and François d'Agincourt (1706–1758). New organs were built by Merklin & Schütze (1858–60) and, after World War II, by Jacquot-Lavergne.
Rouen Cathedral, Full Sunlight, by Claude Monet, in 1894
See also: Rouen Cathedral (Monet)
The most famous paintings of the cathedral were done by the Impressionist artist Claude Monet, who produced a series of paintings of the building showing the same scene at different times of the day and in different weather conditions. Two paintings are in the National Gallery of Art in Washington, D.C.; one is in the Getty Center in Los Angeles, CA; one is in the National Museum of Serbia in Belgrade; one is at the Clark Art Institute in Williamstown, Massachusetts; one is in a museum of Cologne; one is in the Rouen fine art museum; and five are in the musée d'Orsay in Paris. The estimated value of one painting is over $40 million. Other painters inspired by the building included John Ruskin, who selected it as an example of good architecture in The Seven Lamps of Architecture, and Roy Lichtenstein, who produced a series of pictures representing the cathedral's front. Mae Babitz, known for illustrations of the Watts Towers and Victorian era buildings in Los Angeles, illustrated the Cathedral in the 1960s. Those works are held in the UCLA library Special Collections.
La Cathédrale de Rouen by Claude Monet in 1893
Camille Pissarro: Rue de l’Épicerie, Rouen, in 1898
In literature, Gustave Flaubert was inspired by the stained glass windows of St. Julian and the bas-relief of Salome, and based two of his Three Tales on them. Joris-Karl Huysmans wrote La Cathédrale, a novel based on an intensive examination of the building. Willa Cather sets a key scene in the development of the protagonist Claude Wheeler of One of Ours in the cathedral.
Renaissance stained-glass, south transept
It contains a tomb of Richard the Lionheart which contained his heart. His bowels were probably buried within the church of the Château of Châlus-Chabrol in the Limousin. It was from the walls of the Château of Châlus-Chabrol that the crossbow bolt was fired, which led to his death once the wound became septic. His corporeal remains were buried next to his father at Fontevraud Abbey near Chinon and Saumur, France. Richard's effigy is on top of the tomb, and his name is inscribed in Latin on the side.
The Cathedral also contains the tomb of Rollo (Hrólfr, Rou(f) or Robert), one of Richard's ancestors, the founder and first ruler of the Viking principality in what soon became known as Normandy.
The cathedral contained the black marble tomb of John Plantagenet or John of Lancaster, Duke of Bedford, one of the English commanders who oversaw Joan of Arc's trial. He became a canon priest of the cathedral after her death. His original tomb was destroyed by the Calvinists in the 16th century but there remains a commemorative plaque
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