Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)

Nice Matthaus Merian Etching for you here. A great image captured by this artist. Would make a great gift for a special occasion, or keep it for yourself!

This nice etching entitled, "Nocomum Newenbure Am Se". The artist was Matthaus Merian. The etching was done sometime in the 1600s. The black and white etching has browned with age. No rips or tears. Great detailing. There is a fold down the middle of the etching. "Ad Pag 62" in top left of engraving, so was in a book at some point in the past.

The etching in the frame is 21.5" across, by 16.25" tall, by 5/8" wide. The engraving within the matting is 13-7/8" across, by 8-5/8" tall. Matting looks good, done in antique white, yellow, gold and black. In a gold colored wood frame. Sealed on the back of the piece. The piece was framed by a gallery called Eddy Brun in Switzerland. Which is where the artist Matthaus Merian came from.

Let us know if you have any questions or need additional pictures. The pictures provided both complement and supplement the listing description, so please look at them very closely as well. With old items, there is no way one can capture all the little imperfections in words, so the two media are meant to be the full description.

Make sure that this engraving meets your needs and requirements before deciding to acquire it. The item can be returned, there is a 10% restocking fee to do so. So, please carefully review all the attached pictures, ask all the questions you have, come see in person or send a friend to see the item on your behalf, prior to deciding to acquire it. Don't be shy to make an offer, we are always open to reasonable suggestions!

Some information about the engraver from our friends at Wikipedia;

Matthäus Merian
From Wikipedia, the free encyclopedia

Matthäus Merian

Frankfurt ca. 1612; engraving by Matthäus Merian

The castle and the town of Regensberg in Topographia Helvetiae, 1645

Gustav II Adolf in Polish 'delia' coat, painting by Matthäus Merian, 1632

Alchemical illustration, Musaeum Hermeticum, 1678

Discursus XXXI, Epigramma XXXI, from Atalanta Fugiens, 1618
Matthäus Merian der Ältere (or "Matthew", "the Elder", or "Sr."; 22 September 1593 – 19 June 1650) was a Swiss-born engraver who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family.
Early life and marriage
Born in Basel, Merian learned the art of copperplate engraving in Zürich. He next worked and studied in Strasbourg, Nancy, and Paris, before returning to Basel in 1615. The following year he moved to Frankfurt, Germany where he worked for the publisher Johann Theodor de Bry, who was the son of renowned engraver and traveler Theodor de Bry.
In 1617, Merian married Maria Magdalena de Bry, daughter of the publisher, and was for a time associated with the de Bry publishing house. In 1620 they moved back to Basel, but three years later returned to Frankfurt. They had four daughters and three sons, including Matthäus Merian the Younger. Maria Magdalena de Bry died in 1645 and the following year Matthäus married Johanna Catharina Hein. Five years later, Matthäus died, leaving his wife with two small children, Anna Maria Sibylla Merian (born 1647) who later became a pioneering naturalist and illustrator and a son, Maximilian, who died before his third birthday.
Later career
In 1623 Merian took over the publishing house of his father-in-law after de Bry's death. In 1626 he became a citizen of Frankfurt and could henceforth work as an independent publisher. He spent most of his working life in Frankfurt.
Early in his life, he had created detailed town plans in his unique style, e.g. a plan of Basel (1615) and a plan of Paris (1615). With Martin Zeiler (1589 - 1661), a German geographer, and later (circa 1640) with his own son, Matthäus Merian (der Jüngere, i.e. "the Younger" or "Jr.") (1621 - 1687), he produced a series of Topographia. The 21-volume set was collectively known as the Topographia Germaniae. It includes numerous town plans and views, as well as maps of most countries and a World Map—it was such a popular work that it was re-issued in many editions. He also took over and completed the later parts and editions of the Grand Voyages and Petits Voyages, originally started by de Bry in 1590.
Merian's work inspired the Suecia Antiqua et Hodierna by Erik Dahlberg. The German travel magazine Merian is named after him.
He was also noted for the finesse of his alchemical illustrations, in books such as the Musaeum Hermeticum (1678) and Atalanta Fugiens (1618).
Matthäus Merian died after several years of illness in 1650 in Bad Schwalbach, near Wiesbaden.
After his death, his sons Matthäus Jr. and Caspar took over the publishing house. They continued publishing the Topographia Germaniae and the Theatrum Europaeum under the name Merian Erben (i.e. Merian Heirs).
Lucas Heinrich Wüthrich: Das druckgraphische Werk von Matthäus Merian d.Ä.. vol.1 and 2: Basel 1966, vol.3 Hamburg 1993, vol.4: Hamburg 1996.
Catalog zu Ausstellungen im Museum für Kunsthandwerk Franckfurt am Mayn (15. September – 7. November 1993) und im Kunstmuseum Basel (27. November 1993 – 13. Februar 1994) als unsterblich Ehren-Gedächtnis zum 400. Geburtstag des hochberühmten Delineatoris (Zeichners), Incisoris (Stechers) et Editoris (Verlegers) Matthaeus Merian des Aelteren. Museum für Kunsthandwerk, Frankfurt am Main 1993, ISBN 3-88270-065-3.
Ulrike Valeria Fuss: Matthaeus Merian der Ältere. Von der lieblichen Landschaft zum Kriegsschauplatz – Landschaft als Kulisse des 30jährigen Krieges. Frankfurt am Main, 2000, ISBN 3-631-35558-0.
Jörg Diefenbacher: Die Schwalbacher Reise. Mannheim 2002, ISBN 3-00-008209-3.
Ulrike Valeria Fuss: Momentaufnahme und Monumentalansicht. Ein Vergleich zwischen Valentin Wagner und Matthäus Merian d. Ä. In: Valentin Wagner (um 1610–1655): Ein Zeichner im Dreißigjährigen Krieg. Aufsätze und Werkkatalog. Darmstadt 2003, ISBN 3-921254-92-2.
Lucas Heinrich Wüthrich: Matthaeus Merian d. Ä. Eine Biographie. Hoffmann und Campe, Hamburg 2007 (Lizenzausgabe: Wissenschaftliche Buchgesellschaft, Darmstadt 2007)
Götz J. Pfeiffer: Bild-Zeitung und Moral-Büchlein - der Dreissigjährige Krieg in Druckgraphiken von Matthäus Merian und Abraham Hogenberg, Jacques Callot und Hans Ulrich Franck, in: Der Dreissigjährige Krieg in Hanau und Umgebung, hrsg. vom Hanauer Geschichtsverein, Hanau, 2011, pp. 255–275.

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Item ID: K16057

Nice Matthaus Merian etching entitled, "Neocomum Newenburg Am Se" for your collection or decor needs. See item description and pics below.

Antique Etching Neocomum Newenburg Am Se by Matthaus Merian (1593-1650)

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