Japanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with ButterflyJapanese Vintage Shippo-yaki Cloisonne Vase with Butterfly

This Japanese vintage shippo-yaki or cloisonne vase is beautifully decorated on a background of aqua blue. Shippo is the Japanese word for cloisonne. I believe this vase is about 50-60 years old dating to the mid-Showa period or 1960-1970s. It was a purchase from a collector in the U.K. The vase has a great shape with high shoulders and elegant curves. Alternating shields are decorated with butterflies and flowers then a hawk with wide spread wings. One can see the ground glass on both the inside and outside, almost in the same color blue. With the exception of a very small dent on the bottom side, it is in excellent condition. The dent does give a slight lean to the vase but it is in otherwise excellent condition. This is a lighter weight cloisonne piece. Yes those are kitty prints on the wall of our photo tent.

SIZE: 7 inches or 17.5 cm, Width 3 inches or 7.62 cm, 3 1/2 from corner to corner diagnally

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Shippo Yaki, the Japanese words for cloisonne, is well known abroad as an outstanding example of Japanese traditional art crafts. In Japan, its origin can be traced back to the Nara Era or A.D.646-794. Modern Japanese cloisonne started to be remarkably developed in the middle part of 19th century, when Dojin Hirata and Tsunekichi Kaji succeeded in making a small container of cloisonne after experimenting for many years. Later, Kaji's pupils were instrumental in elevating the cloisonne techniques to the higher standard as we observe today. Japanese cloisonne products are highly appreciated by non-Japanese as well as by Japanese for their matchless gorgeous colors and refined taste.

From the previous website I.D. Cloisonne, the Important Japanese period 1880-1920

By 1880 and after, export demands exploded. China's cloisonne production increased significantly for the European and American markets. Quality suffered, due to the mass produced, sloppy workmanship of these decorative and utilitarian items. Motifs became more mundane and repetitive, with much copied traditional subjects, and symbolic nature motifs. The market was flooded with smoking implements, decorative objects, figurines, and small dinnerware accessories.

For Japan, this period of 1880 to 1920 became the golden era of Japanese master cloisonne craftsmen. After participating in International Exhibitions, bringing to France, in 1867, their first cloisonne exhibits. With the years and their increased mastery, entitling them to prizes for their superb cloisonne items, Japan became the most sought-after exporter of cloisonne, replacing China. Pieces were designed and created over many months in the master's studios. Keeping the quality very high and the demand high as well.

The irony is that after Japanese cloisonne was internationally recognized and praised, creating a huge demand for more pieces for the middle classes, this triggered a huge production from Japan with much less refinement and shoddy workmanship. Eventually causing a backlash and the downfall of some of the more reputable makers. Demand for their exclusive and very pricey masterpieces declined with their studios closed by the 1920s. That's why there is, and was such a difference in price between Chinese and Japanese cloisonne produced during that short 40 year period. Even today, these Japanese masterpieces have values in the $20,000 to $50,000 dollar range or more.

While Chinese cloisonne remained traditional, staying with their tried and true motifs and renditions. Japan's cloisonne craftsmen created at least 9 new types of cloisonne between 1870 and 1910, applied to free-standing objects:

1. the black opaque and glossy wireless cloisonne background with fine cloison motifs 2. the translucent enamel over relief ground without cloison, often red 3. the stippled foreground with clear graduated enamels and applied cloison motifs 4. the brocades and motifs using goldstone enamels 5. the moriage cloisonne with heavier relief enamel applied motifs on smooth wireless ground 6. the elevated cloisonne with relief cloison motifs applied to a translucent wireless ground 7. the cloisonne applied to ceramic bodies 8. the graduated opaque wireless cloisonne motifs 9. the plique-a-jour cloisonne 10. and various combinations of the above.

Item ID: A1897


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Japanese Vintage Shippo-yaki Cloisonne Vase with Butterfly

$84 USD

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The Many Faces of Japan


Sharon Meredith
Austin
TX
  

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