Jacus [listed] Paris 1952

Fine Art : Paintings

 

Jean Théobald JACUS (France: b.1924; listed artprice, askart, Benezit) , Paris, watercolor, 1952. Size: 16 1/2 x 10 1/2" plus thick mat and gold frame. Student des Beaux-Arts de Reims and Paris. Student of Fine Arts of Reims and Paris. Former professor of drawing and painting at the Académie des Beaux-Arts de la Ville de Paris. Former professor of drawing and painting at the Académie des Beaux-Arts de la Ville de Paris. Painter was named the Air and Space in 1987. Painter was named the Air and Space in 1987. He obtained many awards and honors. He obtained many awards and honors.

"The style of jacusi happens label, he would impose a incongruity, even that it transcends, exceeds the projected figure in a dimension that may not belong, by its wealth and its formal lush color, that 'dimension to innumerable and unlimited fantasy. Yet to jacusi feet in reality, a reality which is the wilderness, wild, pure, undisturbed. jacusi The image is an underlying theme in his work, it is that of a pantheistic whose emotional life is the continuation of the topics of election immediately perceived. jacusi art is to have somewhat subjectively "cinétisé" his works so that each spectator, depending on its receptivity, feel an emotion, or remaining in the truth of evocations or by transposing into their own in the projection beyond their appearance. The pictorial expression is at the limit of the real and the imaginary. " "The style of label jacusi happens, he would impose a incongruity, even that it transcends, exceeds the projected figure in a dimension that may not belong, by its wealth and its formal lush color, that 'dimension to innumerable and unlimited fantasy. Yet to jacusi feet in reality, a reality which is the wilderness, wild, pure, undisturbed. jacusi The image is an underlying theme in his work, it is that of a pantheistic whose emotional life is the continuation of the topics of election immediately perceived. jacusi art is to have somewhat subjectively "cinétisé" his works so that each spectator, depending on its receptivity, feel an emotion, or remaining in the truth of evocations or by transposing into their own in the projection beyond their appearance. The pictorial expression is at the limit of the real and the imaginary. " Serge Serge MATHIS MATHIS

Item ID: 01691