Lithograph by Taos Artist Kenneth Miller Adams (1897-1966)

Fine Art : Printmaking

 

Here is a spectacular lithograph by the Very Well Listed Taos Artist Kenneth Miller Adams (1897-1966) American. The lithograph is pencil titled and signed by the artist. It is titled "Harvest". A truly beautiful scene by an extraordinary artist. It is in very good condition, a small crease in the right corner, it is far from the image, and a tiny tear (.25") outside of the image, that will not show once framed. This is a superb addition to a collection, or for someone who wants a special work of art.

Overall size : 12" x 16" Image size : 9.5" x 11.5"

If you are interested by this artist, I have another wonderful lithograph by Kenneth Miller Adams in The Cameleon shop.

About the artist ( from Askart) :

Known for breaking down natural shapes into geometric patterns of line and color, Kenneth Adams became the last and youngest member of the Taos Society of Artists. In contrast to the other members whose work was grounded in late 19th-Century academic principles, he was a contemporary realist, deeply influenced by Cubist experiments of the French artist, Cezanne and American modernist, Andrew Dasburg. Adams was a key figure in New Mexico art circles and bridged the "old guard" artists and new arrivals.

He was born in Topeka, Kansas and began his studies at the age of sixteen with George M. Stone. He attended the Art Institute of Chicago after serving in World War I as a private. In 1919, he studied in New York at the Art Students League with Kenneth Hayes Miller and with Dasburg in Woodstock, New York.

After a period of study in France and Italy, he, having been encouraged by Dasburg, made his way to New Mexico and quickly became friends with Walter Ufer in Taos, where from 1926, he stayed for thirteen years. In 1927, he was elected to The Taos Society of Artists.

In 1938, he moved to Albuquerque because he was awarded a Carnegie Corporation Grant to become the first artist-in-residence at the University of New Mexico. He taught there for the next twenty-five years until 1963, becoming a full professor. In 1938, he was also elected an Associate Member of the National Academy of Design in New York and a full member in 1961.

Item ID: 220