REDUCED Boehm - "Alec's Red Rose" - Closed Limited Edition, Numbered, and Personally Signed By Helen Boehm!

Collectibles : Boehm : Alec's Red Rose : Signed, Numbered Limited Edition : Rose : Flowers

 

This exquisite perfect rose by the world-renowned Boehm Porcelain Studios. This is Number 346 from an edition of only 500. Released in 1980, it was completed in 1981. It is one of the most prized pieces by astute porcelain collectors. This one's value is enhanced by being personally signed by Helen Boehm ("Fondly, Helen Boehm"). This increases its value over the listed value in Carol Marren's 2003 New and Complete Porcelain Art of Edward Marshall Boehm of $1650.00. We have another that is not signed by Helen Boehm, that we will be listing at a lesser price. It is in Excellent Condition. Measures over 8 inches tall and 8 inches across. Some information about the creation of porcelain, and about the Boehm Studios: The oldest of all artistic media, porcelain sculpture originated in China more than two thousand years ago. Even in today's environment of technological advancement, the Boehm Studio seeks to remain faithful to this centuries-old art by handcrafting every sculpture with painstaking precision.

A Boehm™ porcelain sculpture begins its life on paper, in an artist's sketch. The sculptor determines its size and structure, then crafts a rough model in clay. After what may be several iterations of modeling, the design is finalized. Moldmakers carefully cut the final model into components that can be fit back together. The direction and number of these dissections are determined by the intricacy of the model. Moldmaking is an exacting and time-consuming art and science, and it is not uncommon to devote more than a year to the molding of an important sculpture.

The Boehm™ Studio employs only pure porcelain, that which has been created from the purest and whitest clays and which has been ground for many hours to a rigidly controlled particle size. At this fineness, liquid porcelain is extremely smooth and almost creamy in texture.

The main master molds are constructed of hydrastone, while the working molds are made of Plaster of Paris. When the pure porcelain is poured into these working molds, water is absorbed and a thin clay lining begins to build on their inside walls. After a time, the mold is opened and the still-damp shell of clay (called "greenware") is gently removed and cleaned. Normally twelve to twenty castings can be taken from a set of working molds before they begin to wear and a new set cast from the master mold is required.

After molding, the component greenware is assembled to form the full sculpture. Porcelain liquid called "slip" is used as a bonding agent until the sculpture is fired. Because porcelain shrinks significantly during firing, supports (called "props") are put into place to hold the sculpture's heaviest parts. These props are made from porcelain slip so that they shrink at the same rate as the artwork itself. Even with these carefully designed props in place, many designs cannot be fired successfully and must be discarded.

Pieces that successfully emerge from the initial firing are polished and readied for the painter's brush. The sculpture is refired between applications of color, with each hue often requiring a precise temperature adjustment. After painting, each sculpture is carefully examined against the original prototype to ensure colors are properly annealed and accurate. If there are any discrepancies from the original, the process must begin anew.

Finally, the sculpture is ready for packing and shipping. This last stage is a unique challenge in itself, but the Studio has devised a reliable, effective packing solution for every kind of porcelain piece. Every day, scores of Boehm™ porcelains are safely shipped to museums, palaces and homes around the world. And an art and science born twenty centuries ago continues.

Item ID: A3807