Similar in design to the urns produced by David Hills in 1950 and Lloyd Atkins in 1958, this is a gorgeous crystal covered urn by Steuben. The shape is classical Steuben and enhanced with two applied handles. The lid is finished with a tear drop shaped controlled bubble inclusion. As most Steuben crystal, this piece captures light beautifully.
Dimensions: Approximately 29 cm (11 ½ in) tall.
Condition: Very good. No chips, cracks or repairs. There is a white inclusion in the rim of the lid (see photo)..
Signature: "Steuben" script on the base.
Reference: The Lloyd Atkins design is depicted in Mary Jean Madigan's "Steuben Glass, An American Tradition in Crystal" page 224 (see photo).
A Note About the Manufacturer:
For 100 years, Steuben had been at the forefront of glass design, balancing state-of-the-art technological advancements with centuries-old traditional glass making techniques. Founder Frederick Carder was born in England and was a self-trained chemist, physicist, draftsman, and potter. He became passionate about glass making as a child growing up in Staffordshire and spent time sketching, modeling, and playing with clay at his grandfather's pottery factory.
In 1878, his grandfather died and his father and uncles inherited the factory not appreciating the talents of the ambitious 15 year old. He left and took a job as draftsman and designer at a local glassmaking firm, Stevens & Williams. Here, he was allowed to experiment with colorizing agents and create new designs in colored glass, cameo glass, and engraved glass. The company put his designs into production, and they were such a commercial success that it eventually sent him on "fact finding" trips to Austria, Germany, and the United States.
In 1903, Carder was on his way to meet Thomas E. Hawkes, the president of a Corning company that bought glass blanks from Stevens & Williams. When Hawkes offered to establish a glass factory for Carder, Carder accepted. He named the company Steuben after the county where it was located and began production almost immediately. Steuben Glass Works specialized in colorful Art Nouveau glass just coming into popularity, and the early years were the most productive. In 1918, the Corning Glass Works acquired Steuben as both companies positioned themselves for the years following World War I, and Frederick Carder continued in his capacity of Managing Director of the new "Steuben Division" of Corning Glass.
In 1932, Steuben made one of its most significant technological advances, a glass they named "10M" which had extremely high refractive qualities that permitting the entire light wave spectrum to pass through the glass, including the ultraviolet range. In 1933, Arthur A. Houghton, Jr. became Steuben's new president, and he introduced to the market this clear, pure 10M glass now known as Steuben crystal. Houghton collaborated with sculptor Sidney Waugh and architect John Gates. With the introduction of Steuben crystal, colored glass was gradually phased out of Steuben production, and the Steuben Division became known as simply Steuben Glass.
Gazelle, Steuben's first major engraved design, was introduced in 1935 and reflects the influences of Swedish simplicity and the massive geometry of Art Deco; this is the first Steuben pattern that utilizes all of Steuben's renowned glassmaking techniques: blowing, cutting, polishing, and copper-wheel engraving.
Having made glass for over 100 years, Steuben had always sought to balance state-of-the-art technological advancements with the centuries old craft of glass making and the skills of the craftsmen. Regrettably Steuben is no longer in production as of 2012.
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