Legras Cameo and Gold Gilt Vase

This Legras vase is a wonderful example of acid etched cameo with enameling and gold gilt. The ground glass is a deep olive green colour. The cameo pattern is acid etched with a chipped ice finish to the lower half of the vase and a rough frosted finish to the upper half. The cameo pattern depicts leaves and hazelnuts or filberts. The nuts are enameled in black with the leaves highlighted in gold.

Dimensions: Approximately 20 cm (7 3/4 in) tall.

Signature: "Legras" cameo and black enameled signature.

Condition: Very good. No chips, cracks or repairs. The vase has two small manufacturing defects: the frosted finish is not complete towards the lower lip of the vase rim and there is a tiny glass protrusion on the upper surface (see photo).

A Note About the Manufacturer:

Glass bearing the names "deVez," "Mont Joye,", "Legras" and "Pantin" was produced by the same company. E. S. Monot at La Villette near Paris founded this company in 1850. In 1859, known as "Cristallerie de La Villette", the company was transferred to Pantin, a suburb of Paris. After F. Stumpf joined the company in 1868, it became "Monot & Stumpf."

In 1873 Monot's son joined the company and the name changed to "Monot, Père et Fils, et Stumpf." About 1894 the company became known as "Stumpf, Touvier, Violette & Cooye," and the same company produced "Pantin".

Shortly before 1910, the firm was joined by Camille Tutre de Varreaux who became artistic director. All vases produced under de Varreaux are signed "deVez.". His pieces were carefully executed in two or three layers with acid cutting and reflect adventurous designs of landscapes, florals, and animals.

Separately, August J. F. Legras started work in glass in 1864 at Saint-Denis near Paris, and continued production until about 1914. He produced a variety of art-glass, much of which can be classified as cameo glass. Some of his glass is of good quality with multi-layered and well-cut glass; but much of his work is also of simple acid cutting with decorative work. His being awarded the Grand Prix at the Universal Exhibition in Paris in 1900 evidences that he produced some fine glass with originality.

Legras' Art Nouveau glass was marked either "Legras", "L & Cie", "Sargel" (Legras backwards), "Leg." (enamelled) or "Mont Joye & Cie".

After World War I, Legras merged with Pantin to form Verreries et Cristalleries de St Denis et Pantin Réunies, It continued to use the "Legras" signature on some enamelled or acid-etched vases during 1920s & 30s.

Item ID: 6114

$1,000 USD

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Scholaert Cassel Galleries
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Member since Jan 2010

Ridgeville, ON, Canada

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